This being one of my older projects, I redesigned the full audio for the DayZ Frostline DLC trailer, focusing on building a cold, tense atmosphere that fits the environment and visuals.

I created all the audio from scratch using my own field recordings and foley, including environmental ambiences like wind, snow, and distant wildlife, along with detailed movement and interaction sounds to match what’s happening on screen.

I also wrote a cinematic score that follows the trailer closely, adjusting to key moments and helping drive the pacing and intensity as it progresses.

This project pushed my field recording and layering skills, especially shaping natural sounds to feel believable and immersive, while also balancing them with music in the mix.